本片的拍摄历程长达40年，展现美国女性主义艺术的革命与历史，并涵盖许多珍贵的访谈，包括众多知名女性主义艺术家的影像片段——她们从根本上改变了我们这个时代的艺术和文化。本片亦详细描述了女性主义艺术运动与美国1960年代的反战、民权运动的关系，并且解释历史事件如何激发对抗文化建制的女性主义运动，并延伸至早期的女性主义艺术教育课程、政治组织和示威抗议、另类艺文空间和刊物等。

本片的拍摄历程长达40年，展现美国女性主义艺术的革命与历史，并涵盖许多珍贵的访谈，包括众多知名女性主义艺术家的影像片段——她们从根本上改变了我们这个时代的艺术和文化。本片亦详细描述了女性主义艺术运动与美国1960年代的反战、民权运动的关系，并且解释历史事件如何激发对抗文化建制的女性主义运动，并延伸至早期的女性主义艺术教育课程、政治组织和示威抗议、另类艺文空间和刊物等。

讲述了一位来自旺代的底层女性在大革命中的故事

讲述了一位来自旺代的底层女性在大革命中的故事

讲述了伊芙·米勒的故事，她曾是独立摇滚乐队的主唱兼词曲作者，在一段糟糕的婚姻中，她发现自己被一位音乐记者深深吸引。与此同时，伊芙的妹妹玛吉是一位畅销书作家，随着事业发展超越丈夫，她30年的婚姻也面临挑战。与此同时，蕾妮是一位刚刚离婚的成功时尚高管，她正在与艺术家安迪·米勒发展一段萌芽中的恋情。安迪·米勒正在努力平衡对蕾妮和他最近分居的妻子蒂娜（蕾妮的前同事）的感情。

Set during the rise of the Nazi regime, Marriage in the Shadows is modeled after the tragic true story of Meta and Joachim Gottschalk. In the film, Elisabeth Maurer and Hans Wieland enjoy successful careers as actors in Berlin; Elisabeth in particular is adored by the public. Confident in her career, Elisabeth, who is Jewish, ignores the advice of a colleague to leave Germany in the face of increasing anti-Semitism. When Nazi influence on the theater's management grows, Elisabeth is forbidden from performing. Believing that he can protect her if she becomes his wife, Hans convinces Elisabeth to marry him. In the following years, as Hans's career thrives, Elisabeth awaits the end of the Nazi terror which bars her from public life. When the situation worsens in 1938 with the Kristallnacht pogrom, Elisabeth decides to leave the country, but Hans, who still believes he can protect her, convinces her to stay with him. Eventually Elisabeth is scheduled to be deported; instead of accepting ...

Set during the rise of the Nazi regime, Marriage in the Shadows is modeled after the tragic true story of Meta and Joachim Gottschalk. In the film, Elisabeth Maurer and Hans Wieland enjoy successful careers as actors in Berlin; Elisabeth in particular is adored by the public. Confident in her career, Elisabeth, who is Jewish, ignores the advice of a colleague to leave Germany in the face of increasing anti-Semitism. When Nazi influence on the theater's management grows, Elisabeth is forbidden from performing. Believing that he can protect her if she becomes his wife, Hans convinces Elisabeth to marry him. In the following years, as Hans's career thrives, Elisabeth awaits the end of the Nazi terror which bars her from public life. When the situation worsens in 1938 with the Kristallnacht pogrom, Elisabeth decides to leave the country, but Hans, who still believes he can protect her, convinces her to stay with him. Eventually Elisabeth is scheduled to be deported; instead of accepting ...

如果不错的话，这部影片和Dusan Makavejev的《WR:有机体的秘密》（1971）、Jovan Jovanovic的《像玫瑰一样年轻》（1971）一起是70年代前南电影黑浪潮中三部最反叛的作品。。。居然都来自1971年！~~~ 　　The two Marxes, Karl and Groucho, are the main sources of inspiration for this film, where the private world of the family and the national revolution of 1945 collide. Cengic's dissection of Yugoslav socialism was censored by the authorities and he worked little over the following decade. 　　In its given historical context, one of the most subversive stills in this book. Only in Yugoslavia -- and only for a limited period -- could it have been possible to show (and then to eat) a Stalin-cake with a candle growing out of his head. From a bizarre political film farce that expressed the ideological disillusionment of a new generation. 　　---- Amos Vogel “Film as asubversive art”